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With Dot Complicated: Untangling Our Wired Lives, new media pioneer Randi Zuckerberg offers an entertaining and essential guide to understanding how technology and social media influence and inform our lives online and off.

Zuckerberg has been on the frontline of the social media movement since Facebook’s early days and her following six years as a marketing executive for the company. Her part memoir, part how-to manual addresses issues of privacy, online presence, networking, etiquette, and the future of social change.

• Sales Rank: #1195577 in Books
• Published on: 2015-11-17
• Released on: 2015-11-17
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .58" w x 5.31" l, .65 pounds
• Binding: Paperback
• 256 pages

Review
“For all that current technology has done to improve and simplify our lives, it has undeniably complicated the way we communicate and relate to those around us. Randi’s experience and perspective provide the perfect guide to socially navigating the digital age.” (Kathleen Kennedy, President, Lucasfilm)

“Randi has had a front row seat to the shift of a social culture. Dot Complicated offers insights to the way the world is changing and the tech sensibility you will need to navigate this new dynamic.” (Ashton Kutcher)

“With impeccable timing, Zuckerberg discusses the hot button issues of the moment and shows us how to use technology to bring positive change to the world. Dot Complicated is a great roadmap in navigating the evolving universe of social media.” (Ron Conway, Silicon Valley angel investor and philanthropist, secured early stage funds for Google, Ask Jeeves, Pinterest, Square, and Twitter)

“Dot Complicated is entertaining, insightful, and relevant. Randi Zuckerberg shows us how using technology and social media mindfully can help create lasting meaning in our lives.” (Jennifer Aaker, General Atlantic Professor of Marketing, Stanford University, and author of The Dragonfly Effect: Quick, Effective, and Powerful Ways to Use Social Media to Drive Social Change)

“Randi Zuckerberg provides a valuable and much-needed guide to navigating the stormy seas of social and digital media. You couldn’t ask for a better guide than Randi who has been at the front line of social media from the start.” (Charlene Li, Founder of Altimeter Group, and author of New York Times bestseller Open Leadership)

“If you want an entertaining peek into the formative days at Facebook, start here. Randi candidly shares her personal story as an early employee, navigating the complicated space between her personal life and her public persona.” (Tina Seelig, Professor of the Practice in the Department of Management Science and Engineering at Stanford School of Engineering, and executive director of the Stanford Technology Ventures Program, and bestselling author of What I Wish I Knew Wh)

“Randi Zuckerburg eloquently captures the art of doing it all (including disconnecting) in the digital age. Before you send one more text, you MUST read this book. It’s high time to take charge of our technology devices before they take charge of us.” (Leslie Blodgett, Executive Chairman of Bare Escentuals and creator of bareMinerals)

From the Back Cover

From Randi Zuckerberg, social media and technology expert and former marketing executive at Facebook, comes a welcome, essential guide to understanding social media and technology and how they influence and inform our lives online and off.

Technology and social media have changed, enhanced, and complicated every facet of our lives—from how we interact with our friends to how we elect presidents, from how we manage our careers to how we support important causes, from how we find love to how we raise our children.

The technology revolution is not going away. We can't hide from it or pretend that it's not changing our lives in a thousand different ways. So how do we deal? In Dot Complicated, Randi Zuckerberg shows us. Through first hand accounts of her time at Facebook and beyond, where Zuckerberg witnessed this remarkable shift, she details the opportunities and obstacles, problems and solutions, to this new online reality. In the process, she establishes rules to bring some much-needed order and clarity to our connected, complicated, and constantly changing lives online. "The Internet, social networks, and smartphones," Zuckerberg writes, "have given us amazing new tools and ways of communicating, collaborating, and living with one another. We can use new technology to understand and solve some very old challenges that individuals and communities around the world have faced since long before Facebook, or anything like it, existed."

Invaluable, timely, and engaging, Dot Complicated reveals how to make it through your life online in one piece—from the etiquette of unfriending and the power of crowdsourcing to the perils of photo tags and the importance of teaching your kids how to be tech savvy.

About the Author

Randi Zuckerberg is the CEO and founder of Zuckerberg Media, a tech savvy production company, and editor-in-chief of Dot Complicated, a modern lifestyle community and blog. She was an early employee of Facebook where she pioneered live streaming initiatives and struck groundbreaking deals with ABC and CNN. She has been nominated for an Emmy and is ranked among the "50 Digital Power Players" by the Hollywood Reporter. Zuckerberg is the author of Dot., an illustrated children's book about a spunky little girl obsessed with electronic devices. She lives with her husband, Brent, and son, Asher, in Silicon Valley.

Most helpful customer reviews

26 of 27 people found the following review helpful.
A superficial book about a non-issue
By Robert Duke
I think this book got published because of the Zuckerberg connection. I would have been interested in the author's perspective if she had something serious to say, but it came across to this reader as me, me, me. There was a failed attempt to wrap "all about me" in a respectable and socially useful guise of advice about living in the dot com world. It fell flat with me even though I persisted too long in trying to find something redemptive about the story.

9 of 9 people found the following review helpful.
Insightful, Relevant, but Somehow Kind of Self-Centered...
By QueenBeeBooks
If I could give 3 1/2 stars, that'd be a more accurate rating!

Mark Zuckerberg's sister is an author and media mogul in her own right. This is her first adult book (she's also published a children's book called Dot). The introductory (and mostly autobiographical) part of Dot Complicated was a little bland (and sometimes melodramatic), but as Zuckerberg moves onto Internet etiquette and commentary on our digital age, the book picks up speed. It's easy to read and relevant to us all. Despite the fact that Zuckerberg repeats over and over again that this book is for US, it seems a little self-centered at times.

Zuckerberg's goal to help people utilize and take advantage of our new technologies is a noble one, but I feel like it's a little overblown: "When explained properly, in a relatable, approachable way, it [tech] can be amazing and life changing." It's almost as if 'tech' is a new religion, promising a new world of redemption and self-control. I don't believe teaching people about what NOT to post on Facebook is a major philanthropic effort. Nevertheless, the book is full of insightful anecdotes and lessons: "I reached a point when rather than owning a computer, a phone, and a tablet, those devices were owning me...I had forgotten how to just unplug and enjoy the company of those around me. I had forgotten how to be present in the moment."

Honestly, I haven't thought too much about online etiquette, whether I should be posting what I'm posting, or how what I post affects others. Perhaps I should.

Some quotes that stuck out to me:

"A world where every object is a screen means a world of endless access to information, but it also means a world where we risk jeopardizing our relationships with loved ones if we don't look up from that screen from time to time."

"...FOMO, which stands for 'fear of missing out.' FOMO refers to the feelings of jealousy and inadequacy experienced upon seeing the impossibly awesome lives of your friends."

"Technology has completely changed all aspects of dating and romantic relationships. Countless apps and websites help people find potential mates to consider. Texting, video chatting, and social networks have created a whole new set of rules for initial courting and the early stages of relationships."

"Giving everyone a megaphone tends to create a society that favors the loud and self-absorbed. Just because a lot of people are talking all at once doesn't mean anything valuable is being said."

I received this book from a Good Reads giveaway.

7 of 8 people found the following review helpful.
Waste of time.
By Penina Sagadiev
This fell WAY short of my expectations. The book was slow and tedious for a good part with name dropping and a level of detail that served no purpose but to make her sound important (and push her liberal agenda). Don't bother.

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[F844.Ebook] Download The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe, by Stephon Alexander

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More than fifty years ago, John Coltrane drew the twelve musical notes in a circle and connected them by straight lines, forming a five-pointed star. Inspired by Einstein, Coltrane put physics and geometry at the core of his music.

Physicist and jazz musician Stephon Alexander follows suit, using jazz to answer physics' most vexing questions about the past and future of the universe. Following the great minds that first drew the links between music and physics-a list including Pythagoras, Kepler, Newton, Einstein, and Rakim-The Jazz of Physics reveals that the ancient poetic idea of the Music of the Spheres," taken seriously, clarifies confounding issues in physics.

The Jazz of Physics will fascinate and inspire anyone interested in the mysteries of our universe, music, and life itself.

• Sales Rank: #15130 in Books
• Brand: Basic Books
• Published on: 2016-04-26
• Released on: 2016-04-26
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.00" w x 6.50" l, .0 pounds
• Binding: Hardcover
• 272 pages

Features

• Basic Books

Review
"At first glance, physics and music may not seem the most obvious of bedfellows, but these seemingly disparate fields have much in common. Part-time saxophonist and full-time theoretical cosmologist Stephon Alexander is especially well placed to comment on both and link the two together. Indeed, his book promises to reveal 'the secret link between music and the structure of the universe.' Interwoven with solid physics and personal anecdotes, the book does an admirable job of bringing together modern jazz and modern physics."
-Physics World's Book of the Year 2016, Shortlist

"I have long been a serious jazz fan and like to think of myself as a budding armchair cosmologist. So I'll forever be grateful to musician/physicist Stephon Alexander, who describes the profound ways in which notes and numbers are connected. Alexander chronicles the great thinkers who have explored these links in the past and shares his own journey in the two fields. He'll help you see how our awe-inspiring universe is on a never-ending, cosmological riff."
-Felix Contreras, NPR, Best Books of 2016

"Marvelous."
-New Scientist

"Music lovers are at high risk of being inspired by this exploration of the connections between music and physics.... Alexander elegantly charts the progress of science from the ancients through Copernicus and Kepler to Einstein (a piano-player) and beyond, making it clear that what we call genius has a lot to do with convention-challenging courage, a trait shared by each age's great musicians as well."
-Keith Blanchard, Wall Street Journal

"In the most engaging chapters of this book - part memoir, part history of science, part physics popularization and part jazz lesson - Dr. Alexander ventures far out onto the cutting edge of modern cosmology, presenting a compelling case for vibration and resonance being at the heart of the physical structure we find around us, from the smallest particle of matter to the largest clusters of galaxies.... His report on the state of research into the structure and history of the universe - his own academic field - makes for compelling reading, as does his life story."
-Dan Tepfer, New York Times

"Music and physics might seem like polar opposites, one having great emotional potency and the other being a cerebral subject of equations, theories and deductions. Both, however, benefit from improvisers - people who stand on the shoulders of giants, taking earlier triumphs and building on them to create something new. For me, analogies like these, which draw parallels between physicists and jazz musicians, are the most fascinating revelations in Stephon Alexander's book The Jazz of Physics.... The book's attempt to bring together modern jazz and modern physics strikes me as admirable.... It is an intriguing comparison, and it certainly seems fresher than drawing analogies between classical music and classical physics.... Time to put on some Coltrane and riff some new research ideas?"
-Trevor Cox, Physics World

"[Alexander] gives an engaging account of his uncertainties and worries as he made his way in the highly competitive world of theoretical physics, seeking to acquire the 'chops' needed to deal with the formidable mathematics of his day job along with those needed to solo on the sax after dark.... Mr. Alexander's rhapsodic excitement is infectious."
-Peter Pesic, Wall Street Journal

"[Alexander's] book, The Jazz of Physics, explores [the] resonance [between science and music] to a depth that far surpasses other works on the same concept."
-New Criterion

"Groundbreaking...[Alexander] He illustrates his points with colorful examples, ranging from the Big Bang to the eye of a galactic hurricane."
-Down Beat



"Using his own life as the baseline, Alexander, a professor of physics at Brown University, sweetly riffs on deep connections between music and cosmology.... Alexander's account of his own rise from humble beginnings to produce contributions to both cosmology and jazz is as interesting as the marvelous connections he posits between jazz and physics."
-Publishers Weekly

"In this loosely autobiographical meditation, Alexander explores resonances between music and physics in Pythagoras' 'music of the spheres,' Albert Einstein's love of music, Coltrane's love of Einstein, and his own ideas as a theoretical physicist and jazz saxophonist. It's a vast, cosmic theme that includes quantum mechanics, superstring theory, the Big Bang, the evolution of galaxies, and the process of scientific theorizing itself.... Alexander's enthusiasm for his subject is infectious."
-Kirkus Reviews

"This book could just as well be called The Joy of Physics because what leaps out from it is Stephon Alexander's delight and curiosity about the cosmos, and the deep pleasure he finds in exploring it. True to the jazz he loves so much, Stephon is an intellectual improviser riffing with ideas and equations. It's a pleasure to witness."
-Brian Eno, artist, composer and producer

"The Jazz of Physics is a cornucopia of music, string theory, and cosmology. Stephon takes his reader on a journey through hip hop, jazz, to new ideas in our understanding of the first moment of the big bang. It is a book filled with passion, joy and insight."
-David Spergel, Charles Young Professor of Astronomy & Department Chair, Department of Astrophysical Sciences, Princeton University

"A riveting firsthand account of the power of intuitive and unconscious in the process of scientific discovery. Being both top-notch physicist and jazz musician, Stephon Alexander has a unique voice. Listening to him, you will hear the music of the Universe."
-Edward Frenkel, author of Love and Math

"Stephon Alexander takes us along on his twinned quest to discover the fundamental principles of physics and of jazz performance and composition. He is a great story teller and he paints vivid portraits of the masters of music and science who guide him on his search, which leads to a revelation of a common pattern and symmetry in the universes created by John Coltrane and Albert Einstein. If you spend one evening of your life contemplating the relationship between art and science, spend it with this book."
-Professor Lee Smolin, founding member of the Perimeter Institute for Theoretical Physics and author of The Trouble with Physics

"Is the universe a musical instrument that plays itself? It is according to Stephon Alexander, a string theorist who shares his journey from a crime ridden junior high school to the upper echelons of physics and jazz. Moving fluidly from T dualities to John Cage, he tells how his two worlds blended together like a stereoscopic vision-a sonic cosmos where Einstein and Coltrane naturally meet, and where intuition and improvisation are as important as technique. Whether he's hanging with Brian Eno or Brian Greene, Alexander never loses sight of the math or the melodies, never condescends to his reader but rather uses his own childlike awe and personal charm to take us into the details of chords and equations. It's impossible to resist following him as he 'solos with the equations of D-branes' on paper napkins in jazz clubs, searching for the eloquent underlying harmonies that brought the universe (and us) into being."
-KC Cole, author of Something Incredibly Wonderful Happens and The Universe and the Teacup: The Mathematics of Truth and Beauty

"Music, physics and mathematics have lived in tune since Pythagoras and Kepler, but Prof. Alexander's book creates a new and powerful resonance, coupling the improvisational world of Jazz to the volatile personality of quantum mechanics, and making the frontiers of cosmology and quantum gravity reverberate like in no other book."
-João Magueijo, Professor of Physics at Imperial College London and author of Faster Than The Speed of Light



"In this very creative work Stephon Alexander leads us through his remarkable journey from jazz musician to theoretical physics, from the music of the spheres to string theory."
-Professor Leon N. Cooper, Laureate of the Nobel Prize in Physics

"Stephon Alexander has written an entertaining and important book about how science is becoming more like improvised music. Young musicians and scientists will find a deeper way to connect with their work in its pages. There is also a message about scientific progress: It isn't just about a sterile quest to make a better equation, but also the struggle to build deeper connections between people and between us and the universe at large."
-Jaron Lanier, author of Who Owns the Future?

About the Author
Stephon Alexander is a professor of physics at Brown University and the winner of the 2013 American Physical Society Edward A. Bouchet Award. He is also a jazz musician and released his first electronic jazz album with Erin Rioux. Alexander lives in Providence, Rhode Island.

Most helpful customer reviews

106 of 115 people found the following review helpful.
Disappointing
By Keith E. Koenigsberg
I'm sorry to report that this book really let me down. The subtitle of this book is "the secret link between music and the structure of the universe" and I was hoping for some good, illuminating analogies. (I teach a course in relativity so I am not coming at this as a total novice) Unfortunately, the author's analogies are strained and forced, and left me with nothing I could use with my own students.

This book is much more of personal narrative of what jazz has meant to the author as a scientist, and what science has meant to the author as a musician, as inspiration and muse going both directions. Fair enough; I have had many of the same inspirations. It contains lots and lots of the first person; stories about his youth, encounters with other musicians and scientists, his journey, and his love for the topics, etc. Also fair enough, and occasionally interesting to me. But his scientific explanations leave a lot out - he often lurches into advanced concepts without sufficient preamble for the beginner. On the other hand his analogies between the two disciplines often come out of left field - "in his song 'Jupiter' one can hear John Coltrane literally channelling Jupiter's moons in his improvisation." At best this comes across as drunken late-night fan-boy-ism, and at worst it can verge on paranoid-schizophrenic ramblings. Coltrane may have been inspired by Einstein, but did he "correctly realized that the expansion [of the universe] is a form of anti-gravity"? Absolutely not. No way.

This sort of thing has been done much more elegantly and inspirationally. I can recommend the classic pulitzer prize winer "Escher, Godel, Bach" by Douglas Hofstader, which uses the music of Bach to illuminate logical, mathematical, and scientific themes. I can also recommend the somewhat more advanced "Quantum Reality" by Nick Herbert which has about the best layman's explanation of wave/particle duality and the Heisenberg Uncertainty principal I have ever encountered, using sound waves. It's not poetry and there is no reference to Jazz, but you might actually gain some understanding of quantum weirdness.

Finally, the most frustrating part of this kind of analysis, is that authors who press and strain analogues between fields, like Alexander has done with Jazz, or like Zukav did with science and Eastern Philosophy in "The Dancing Wu Li Masters", are overlooking a central idea. These analogies expose more about the human brain than about the erstwhile topics at hand. Human beings have finite brains which process the world in a limited set of modes. Saying that Coltrane somehow explains Einstein or vice-versa is in fact a trivial statement of the obvious. As if a computer noticed that "hey, Picasso and Isaac Newton are both expressed in binary code!!" Of course they are, silly, because that's the language your brain speaks.

28 of 32 people found the following review helpful.
Inquisitive Minds Will Love it
By Rodney B
Don't be afraid of this book. If you love exploring new ideas, you will love this book. If you like being introduced to some incredible people through biographical vignettes, you will love this book. If like a good story of discovery you will love this book.

I've only finished three chapters, so I can't do a complete review yet. But here are just some of the things that those first three chapters have done for me.

1. They have introduced me to a kid, (the author, Stephon Alexander), whose family is from Trinidad, who grew up in the Bronx with a grandmother who wanted him to become a musician to escape poverty, who went to public schools, who listened to Hip-Hop and Battle Rap and wore dreadlocks, but who is now a theoretical physicist, jazz musician, cosmologist, Ivy-League professor, and someone who knows how to tell a good story.

2. I've learned how understanding magnetism led to a way to describe neural networks; and how that in turn is leading to new approaches for understanding the structure of our Universe.

3. I've been introduced to Small's Jazz Club in New York City. And by going online I have learned about it's fascinating history, the availability online of most performances there since 2007, and the unique and well thought-out revenue sharing model that supports both the musicians and the club.

4. I've learned that a parsec is a unit of measure in cosmology that equals approximately 19 trillion miles. That as recently as 1920 there was serious scientific debate about whether there were any galaxies other than our own in the Universe. And that in 1989 Margaret Geller, the daughter of an X-ray crystallographer, along with John Huchra, mapped out other galaxies that extend for 100 million parsecs. Yes, that is 100 million times 19 trillion miles. The mind boggles.

If you like this taste of what I've experienced you will love the book. I'll write a full review when I'm done, but I am not going to rush it. It is much too good a story, with far too much thought-provoking substance to hurry through it without savoring.

0 of 0 people found the following review helpful.
Loved every part of this unique book
By D. A. J.
I cannot say enough good things about this book. It was quite amazing to follow Dr. Alexander's journey to the world of physics through the lens of jazz. I have read review with people complaining about the book being autobiographical or even jumping subjects. That actually is what makes this book so interesting to read. I learned some new aspects of physics, it helped strengthen other elements of physics I had heard about in the past, and it was a pleasure to read about his journey into physics, starting with the first trip to the museum and seeing a display of Albert Einstein.

I would highly recommend this book to those with a novice based love of physics, those who love both music and science, and as an amazing way to aspire children, teens, and young adults to reach for their goals in their own unique way. I love that his journey was his and not limited to a one way, boring, pre-charted road.

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All Devon Wright wants is peace and some time to chill with his boys. He's jerseyed up and waiting for his boy, Charles, to show up with tickets to the Atlanta Falcons' season opener. Instead, at his front door he finds "Satan's little sister," aka Quartisha Shauntae Randall, his baby momma. Once again, she's dropping off their daughter unexpectedly and ruining his plans.
Devon doesn't mind, though. His daughter, Brianna, is the most important thing in his life. He's worried about the poor example Shauntae (He refuses to EVER call her by her first name) is setting with her ghetto-fabulous lifestyle. He can't believe he ended up with such a crazy baby momma. He's vowed to stay away from all women for a while—until Charles introduces him to Cassandra.
Cassandra is nothing like Shauntae. She's a good, church-going woman. Devon is pleasantly surprised to find out that Cassandra's not what he thought a Christian woman would be. Cassandra Parker is not only fine; she's also smart, sassy, and sexy. Devon is intrigued, and he wants to get to know Cassandra better, but how will he be able to handle his daughter, his crazy baby momma, and a new woman in his life?

• Sales Rank: #963862 in eBooks
• Published on: 2012-10-01
• Released on: 2012-10-01
• Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
Just Wright
By Angelia Vernon Menchan
I have always been a fan of books by Sherri L. Lewis because she writes spiritual fiction that inspires but doesn't preach and entertains. Devon Wright is a single father with the baby mama from hades. He's a good man who has suffered and isn't looking for a permanent relationship. He gets with them then moves on. He has also become estranged from God. But a chance encounter with a spiritual woman can change all of that. But is he ready for spiritual change, fatherhood challenges and true commitment. Read Finding Mrs. Wright and find out. Great storytelling!

Angelia Vernon Menchan

2 of 2 people found the following review helpful.
Bravo! Bravo!
By NC Bookworm
First - let me say, 'thank you' Sherri Lewis for writing another book. I read the acknowledgments and was shocked to learn that Ms. Lewis was now a full time missionary in Cameroon, West Africa.

Let me just say, your talent is too great to give up writing fiction. I feel blessed having read every single one of your books. You certainly have a way w/ words.

Finding Mrs. Wright was superb! Your writing made the characters so real, that Devon, Cassaundra, Briana, Chuckie, Mom, and Pop felt like family. Now, Shauntee, she was a horse of another color and the baby mama from hell!

I really liked how Devon grew into his relationship w/ God after meeting Cassaundra. It was gradual and subtle and mostly about opening his mind to receive God's plan for his life. He was an excellent father to Briana and my blood pressure would rise right along with his whenever he dealt with Shauntee, aka Quartisha.

Now Cassaundra, she is one of the best female characters I have ever read about. I mean, a triple threat, brains, beauty, body and with a sweet soul and heart of gold. I loved her confidence and her way with people. So cute how she always called Devon 'playa'.

The friendship-lovematch b/t Devon and Cassaundra flows so naturally and is 'just right' from start to finish. Normally, children have somewhat of an 'ornamental' role in novels, but Briana was a main character and contributed significantly to the story line.

The drama with Shauntee was exhausting. A mother should be a role model and not the worse possible influence on her daughter. She was raising Briana to be a HIT (ho-in-training) and just like herself

Devon's parents were also adorable and sooooo supportive.

This was a great novel and worth the wait. Sherri you MUST continue to bless us w/ your gift for writing.

P.S. One small criticism, Devon described himself with a clean-shaven head, but the book cover has a guy w/ a small afro. Overall, the bookcover was a turnoff, but knowing the quality of Sherri's books, I read it anyway.

2 of 2 people found the following review helpful.
Emotional, Mental, and Physical Draining.....That is Life
By Stephanie
Finding Mrs. Wright gives the reader the chance to see a man be a father to his child. What do you do when you have a child with a girl? What do you do when all you want to do is give your child the best life as possible? What do you do when satin comes in the form of your child's mother? These and other questions are answered in Finding Mrs. Wright?

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[D927.Ebook] Download Ebook Dirty Girl (Dirty Girl Duet, Book 1), by Meghan March

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[Read by Elena Wolfe and Sebastian York]

From�USA Today�bestselling author of hot romance comes the first book in the Dirty Girl Duet series.

Desperately seeking rich, famous, single guy with a giant c-ock to make my lying, cheating, should've-been-born-dick-less ex-boyfriend realize what he's just lost.

Oh, and I give great head. Just sayin'.

No man in his right mind would answer that ad.

Except thousands did.

My name is Greer Karas, and I should never be allowed near another bottle of booze again. Because when I drink, my friend and I do stupid things. Like take a page out of my older brother Creighton's playbook and post something completely asinine on the Internet. Waking up with a giant hangover to find my humiliating personal ad has gone viral is not my finest moment.

Cue my look of shock when one of Hollywood's hottest new bad boys, Cavanaugh Westman, comes knocking at my door and drops his pants to prove that he does indeed have a giant c-ock.

What he doesn't have is an explanation for why he disappeared from my life without a word three years ago, only to show up on the big screen two years later, killing bad guys in action flicks.

And now he wants me again.

What the hell do I do now?

• Published on: 2016-05-17
• Formats: Audiobook, CD
• Original language: English
• Number of items: 4
• Dimensions: 5.75" h x 5.25" w x .75" l,
• Running time: 18120 seconds
• Binding: Audio CD
• 1 pages

About the Author
Meghan March has been known to wear camo face paint and tromp around in woods wearing mud-covered boots, all while sporting a perfect manicure. She's also impulsive, easily entertained, and absolutely unapologetic about the fact that she loves to read and write smut. Her past lives include slinging auto parts, selling lingerie, making custom jewelry, and practicing corporate law. Writing books about dirty talking alpha males and the strong, sassy women who bring them to their knees is by far the most fabulous job she's ever had.

Most helpful customer reviews

16 of 17 people found the following review helpful.
I'll NEVER think of coconut oil in the same way again....
By Franci Neill
5 Scorching and Steamy Stars!!!!

You know that moment you pick up a new book and you think you know what to expect because the author has been teasing for a few weeks that this is her dirtiest book ever... yeah it's that and SO MUCH MORE!!!!

The pace of this book is so wonderfully written and it moves with ease between comedic statements and hotter than hot sex up against the wall! One night out with her best friend, Banner, who by the way needs her own book, results in an over the top personal ad, alluding to all sorts of over the top sexual acts... I was rolling on the train while reading these chapters. One of my favorite lines after she realizes what she's done....

"And on that note, I'm so terribly sorry, alcohol, but we need to break up."

How many of us have said that before? LOL When Cav "answers" her ad, things escalate and quickly in the very best of ways. I sat enthralled while reading Ms. March's words as I just couldn't pull myself away from the deliciousness of this story.

Greer and Cav have known each other for a few years, but it was before he became Mr. Hollywood and didn't think he was worthy of Greer. Greer on the other hand has wondered what happened that caused Cav to not pursue her while they were in
the same zip code. When Cav finally lets Greer in on his reasoning, my heart broke just a little bit in all they lost because of his misguided feelings....

"Do you really believe I'm that shallow? That I care what you did for a living?...It's called pride Greer."

Cav is determined to get Greer now that he's "worthy" in his eyes and Greer wants to explore what could be between them, but there are some definite obstacles in the way. And what happens when obstacles block your path? You evade them as long as possible which is what these two do and with the evasion, comes some of the most sizzling, red-hot, set the sheets on fire sex I've EVER read... and I read A LOT!!! These two are so made for each other. Cav fills a role for Greer that I don't think she knew she needed.

"I should be blushing at the things I'm saying to Cav, but something about him destroys my filters. This level of need surging through me is unique to him - totally raw and primal."

Just because Greer is finding out that an alpha male, which Cav fits the bill to a T, she has some of her own dominance showing up on occasion and Cav is the very happy recipient of that dominance....

"It's an odd compulsion, but I can't ignore the power I feel at the thought of having this powerful man at my mercy."

One of the other things I especially loved about this book is that Ms. March has some of this book set in places that as one of her most loyal fans I recognized from her posts on social media. It was almost like being there with her!

There is somewhat of a mystery brewing in this book that at the end I was "WHAT?"

There are so many other things about this book that I loved, but I can't go into detail about them as that will give spoilers and ruin what is by far, as Ms. March has repeatedly said, her dirtiest book ever!! And I want so much more of it...

1 of 1 people found the following review helpful.
She sucked us into “Dirty Girl” with its gluttonous world
By queenzany
Finally finished the book I've been pining for!! Yes I got my hand on this delicious “Dirty Girl”! Hell it's mouthwatering and scorching!!! God it's a little warm in here now! You may need to change your panties a few times. Oh also have a fan near by too.

She sucked us into “Dirty Girl” with its gluttonous world. With everything a girl could want lust, power and an alpha male! Then bam!!! The rug from under us is pulled out! Bloody hell!! How can Meghan March mess with my mind like that? I truly think her brilliant mind has it out for us! I thought I knew how it was going to turn out! Well hell I was wrong!!!
Really!! You must be kidding me right now? What the Heck was that ending?????? Then I'm at a lost waiting and yearning for my next book! Now I need a drink or more.

0 of 0 people found the following review helpful.
Seeking guy with large package! Found him!!!
By Simon Says
Cliffhanger
Book one of two
Told from both POVs
No major editing issues

First off I should say I love this author. I have yet to read a book by her I haven't loved and this book is no exception. I loved the first trilogy based around the Karas family so I knew I would love this one as well. The author has a way of writing leading men that you know you should hate but can't help but love and the amount of steam in this book is insane.

Greer makes bad decisions when she is drunk...her latest involved taking out a personal ad asking for a guy with a huge...ahem...to show her ex what he just lost. What she doesn't expect is for a guy from her past...the one that got away...to be the one to show up on her front door proving he is the man for the job by dropping his pants.

Cav walked away from Greer 3 years ago because he knew he wasn't good enough for her then. He wanted to make something of himself in order to be worthy of her. Well he certainly has because now he is one of Hollywoods leading men.

Things between them take off like a rocket but can't the secrets and betrayals be put behind them so that they can start anew or will it all come crashing down in the most epic way possible.

Since this is the first book in a duet you can bet that there will be an epic cliffhanger in your near future. Can't wait to get started on the next book.

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[K325.Ebook] Download Chanel: The Vocabulary of Style, by Jérôme Gautier

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Gabrielle Bonheur "Coco" Chanel (1883-1971) was undoubtedly the most influential fashion designer of the 20th century. Her clothes and accessories have remained perennially chic, and her legendary fashion house continues to exert a powerful sway over today's designers. J�r�me Gautier tells the story of Chanel's iconic style through hundreds of images, many taken by the leading lights of fashion photography, including Richard Avedon, Gilles Bensimon, Patrick Demarchelier, Horst P. Horst, Annie Leibovitz, Man Ray, Helmut Newton, Irving Penn, and Ellen von Unwerth. This innovative volume pairs classic and contemporary photographs, placing fashion plates from Chanel's time alongside those by the house's designer-in-chief, Karl Lagerfeld. For instance, Cecil Beaton's portrait of Chanel appears alongside Lagerfeld's image of Cate Blanchett emulating her, and a classic plate by Henry Clarke flanks an arresting shot by Juergen Teller.�

Through these dazzling photographs, Chanel:�The Vocabulary of Style identifies key elements that have defined Chanel's style for generations, such as jersey and tweed, formerly considered menswear fabrics, and the little black dress, which transformed a hue previously reserved for mourning into a statement of elegance. Pearls were her staple, and she often embellished outfits with her signature camellia.�Eleven chapters compare the original forms of these enduring trademarks with their later expressions over the years and to the present day, letting the vocabulary of Chanel's style speak for itself.

• Sales Rank: #34910 in Books
• Brand: Yale University Press
• Published on: 2011-11-29
• Original language: English
• Number of items: 1
• Dimensions: 13.10" h x 1.52" w x 10.00" l, 5.72 pounds
• Binding: Hardcover
• 304 pages

Review
“This elegant, beautifully designed volume features hundreds of photographs, both classic and contemporary, often shot by photographers who are themselves legendary.”—Globe & Mail (Globe & Mail)

About the Author
J�r�me Gautier is a journalist and fashion historian. A passionate collector of fashion magazines, he lives and works in Paris.

Most helpful customer reviews

114 of 115 people found the following review helpful.
Mostly Lagerfeld
By macmccat
I received this as a requested gift and although it features some beautiful photography, I'm disappointed and annoyed--because I think it's being marketed in a way that would have you believe it's about Coco Chanel--but it's really not. What it does is give her some lip service with a smattering of photos. The balance--roughly 75%--is about Karl Lagerfeld and Chanel magazine ads from the 90's & 2000"s; which I've already been bombarded with for the past 20 years.

I'm interested in fashion history from the early 20th century and wanted a biography / historical timeline of Coco Chanel's collections and was hoping for a substantial coffee table book featuring ONLY that. Does such a thing exist? Or must every recent publication pay homage to Lagerfeld? I'm asking because I'd love a tried and true recommendation if anyone has one.

70 of 71 people found the following review helpful.
Chanel through the eyes of the greatest fashion photographers
By TVDIVA
J�r�me Gautier (a Paris based journalist and fashion historian), has created a sumptuous ode to Chanel via the greatest fashion photographers who ever lived.

Similar in format to Daniele Bott's Chanel: Collections and Creations, Gautier takes eleven key Chanel style elements and juxtaposes the original forms of the trademarks with current day innovations, letting Chanel's enduring style speak for itself.

Each chapter contains a brief history of the key style element and gorgeous archived and contemporary fashion photographs of models and celebrities:

Chapter 1: The Body Liberated - Chanel's fashions liberate women from corsets

Chapter 2: Little Black Dresses - The LBD and its place in fashion history

Chapter 3: Black into Night - Dresses go to ankle length for day, brushing the floor at night - black is no longer just for mourning

Chapter 4: Baroque Inspirations -Chanel is introduced to Venice by Misia - "queen of modern Baroque"

Chapter 5: 31, Rue Cambon - Chanel buys the building and adds surrounding properties to create Maison Chanel

Chapter 6: Youth and Evolution - Chanel's life - fact and fiction

Chapter 7: Simple Chic - The enduring appeal of Chanel hats

Chapter 8: Androgyne - Chanel creates clothes based on the comfort men enjoy

Chapter 9: From Tweed to Tweeds - Chanel's enduring corded tweed suit

Chapter 10: The Total Look - Accessorizing with Chanel

Chapter 11: Rebel - Chanel Fashion as defiant as the woman herself

At the end of the book is a legend to each fashion photograph. The photographer, model or celebrity, Chanel collection the item came from, magazine or book where it first appeared are all documented.

This book comes in a beautiful pink hardcover slipcase, measures 9 � by 12 5/8, contains 211 gorgeous color and black & white illustrations and weighs in at six pounds.

I also recommend:

Chanel: Collections and Creations by Dani�le Bott - The book explores five central themes--the suit, the camellia, jewelry, makeup and perfume, the little black dress--and follows the threads from past to present to show how these key items have been rediscovered and reinvented by new designers.

Jacques Helleu & Chanel by Jacques Helleu - Jacques Helleu is the eye behind the House of Chanel's enduring image, having explored the meanings of this legendary brand in daring commercials and fabulous print ads for the past 40 years. He has given tangible, glamorous shape to the essential mystique of Chanel's perfumes. This beautifully designed and lavishly illustrated volume tells the story of Helleu's vision.

20 of 22 people found the following review helpful.
Chanel: The Vocabulary of Style
By Lilly Ford
This is a wonderful book showing a stunning collection of Chanel's creations both from the past and the present along with multiple shots of Coco Chanel.
The book is large and thick full of spectacular photographs both color and b/w showing the pieces at their best.
The book also contains concise chapters detailing the sources of inspiration behind the creation of the illustrated garments, thus, putting the pieces in a wider context.
This is a highly recommended book for all fans of Chanel and beautiful fashion photography.

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[U486.Ebook] Download PDF [(Contrasting English and German Grammar: An Introduction to Syntax and Semantics)] [Author: Sigrid Beck] published on (May, 2014), by Sig

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• Published on: 2014-05-31
• Binding: Paperback

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[G392.Ebook] Download PDF The Dangerous Summer, by Ernest Hemingway

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The Dangerous Summer is Hemingway's firsthand chronicle of a brutal season of bullfights. In this vivid account, Hemingway captures the exhausting pace and pressure of the season, the camaraderie and pride of the matadors, and the mortal drama as in fight after fight the rival matadors try to outdo each other with ever more daring performances. At the same time Hemingway offers an often complex and deeply personal self-portrait that reveals much about one of the twentieth century's preeminent writers.

• Sales Rank: #409080 in eBooks
• Published on: 2002-07-25
• Released on: 2002-07-25
• Format: Kindle eBook

From the Publisher
8 1-hour cassettes

About the Author
Ernest Hemingway did more to influence the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established him as one of the greatest literary lights of the 20th century. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. He died in 1961.

Excerpt. � Reprinted by permission. All rights reserved.
From the Introduction

This is a book about death written by a lusty sixty-year-old man who had reason to fear that his own death was imminent. It is also a loving account of his return to those heroic days when he was young and learning about life in the bull rings of Spain.

In the summer of 1952 Life magazine headquarters in Tokyo dispatched a courier to the front lines in Korea with an intoxicating message. After prowling the mountainous terrain along which desultory action was taking place, he found me at a forward post with a small detachment of Marines.

"Life is engaged in a tremendous venture," he told me in conspiratorial whispers. "We're going to devote an entire issue to one manuscript. And what makes the attempt so daring, it's fiction."

"By who?"

"Ernest Hemingway."

The name exploded in the cavelike foxhole with such force, such imagery, that I was instantly hooked. I had always admired Hemingway, considered him our best writer and certainly the man who had set free the English sentence and the crisp vocabulary. As I wandered about the world I constantly met foreign writers who went out of their way to assure me that whereas they considered themselves as good as Hemingway, they did not want to mimic him. They had their own style and were satisfied with it. And I began to wonder why they never said: "I don't want to write like Faulkner..." -- or Fitzgerald, or Wolfe, or Sartre, or Camus. It was always Hemingway they didn't want to copy, which made me suspect that that's precisely what the lot of them were doing.

If you had asked me the day before that meeting with the Life man I'd have said: "I admire Hemingway immensely. He gave us all a new challenge. But of course I don't want to write like him."

The emissary continued: "With so much riding on this experiment Life can't afford to take chances."

"On Hemingway? How could you lose?"

"Apparently you haven't been following the scoreboard. The critics murdered his last offering."

"Across the River and Into the Trees? It wasn't too hot. But you don't condemn an artist for one..."

"That's not the point. They not only blasted the novel, which was pathetic, but they called into question his legitimacy, his right to publish any further."

"I can't believe that."

"Didn't you read that savage burlesque of him and his novel? That hurt."

"I missed it, being over here. But you can't burlesque a man unless he's very good to begin with...unless readers are so familiar with his work that they catch the jokes. You don't waste your time teasing a nothing."

"This wasn't teasing. This was a thrust at the jugular."

"Hemingway probably told them to go to hell."

"Maybe, but he was deeply hurt. And Life is painfully aware that the attacks cast a shadow over whatever he publishes next." The man paused to study the battlefield in front of our dugout, then came to the point: "We have one hell of a bundle -- money, prestige -- riding on this one-shot issue."

"Why come to see me?"

"We want to present the story in the best possible light."

"What can I do? I don't know Hemingway."

"Do you respect him?"

"He's one of my idols."

"That's what the editors hoped." He looked me in the eye, then said: "They want you to read the galleys...make up your own mind...no pressure from us. And if you like what you see, give us a statement we can use in nationwide publicity."

"To what purpose?"

"To kill any lingering reminders of those savage reviews. Knock in the head suspicions that the old man might be through."

"Tell me the truth. Have you asked other writers better known than me? Have they refused?"

"I really don't know. But I do know the editors think that your approach to war and the role of men makes you eligible. Also, they think readers will listen."

"Is Hemingway in on this?"

"He would be mortified if he knew we thought he needed help. He'll know about it when he sees the copy."

The decision was easy and automatic. I assured the emissary that I would read the manuscript, praying that it would be good, and if it was I would not hesitate to say so boldly. Because a writer just getting into his career asI then was rarely has an opportunity to pay tribute to one of the masters.

"Guard this with your life," the emissary said. "This is the only copy outside New York. And if you decide to make a statement, get it to us in a hurry." Placing the rather frail parcel in my hands, he nodded, warned me not to leave it where others might spy, and left to catch the Tokyo plane.

The next hours were magic. In a poorly lighted corner of a Marine hut in a remote corner of the South Korea mountains I tore open the package and began reading that inspired account of an old fisherman battling with his great fish and striving to fight off the sharks which were determined to steal it from him. From Hemingway's opening words through the quiet climaxes to the organlike coda I was enthralled, but I was so bedazzled by the pyrotechnics that I did not trust myself to write my report immediately after finishing.

I knew that Hemingway was a necromancer who adopted every superior Balzacian trick in the book, each technical device that Flaubert and Tolstoy and Dickens had found useful, so that quite often his work seemed better than it really was. I loved his writing, but he had proved in Across the River and Into the Trees that he could be banal, and I did not want to go out on a limb if he had done so again.

But as I sat alone in that corner, the galleys pushed far from me as if I wished to be shed of their sorcery, it became overwhelmingly clear that I had been in the presence of a masterpiece. No other word would do. The Old Man and the Sea was one of those incandescent miracles that gifted writers can sometimes produce. (I would learn that Hemingway had dashed it off in complete form in eight weeks without any rewriting.) And as I reflected on its perfection of form and style I found myself comparing it with those other gemlike novellas that had meant so much to me: Edith Wharton's Ethan Frome, Joseph Conrad's Youth, Henry James's The Aspern Papers, and Faulkner's The Bear.

When I had properly positioned Hemingway's tale among its peers I hid the galleys beneath my bedroll and walked out into the Korean night, agitated by this close contact with great writing, and as I picked my way across the difficult terrain I made up my mind that regardless of what critics sager than I had said about Hemingway's previous fumbles, I would have to flaunt my opinion that The Old Man was a masterpiece, and to hell with caution.

I am embarrassed to state that I have no record of what I actually reported. My judgment appeared in full-page ads across the country, and I think I said something about how happy writers like me were that the champ had regained the title. No one reading my words could doubt that here was a book worth immediate reading.

At any rate, Life used my statement enthusiastically and paid me, but what I didn't know was that while their Tokyo agent was handing me my top-secret copy of the galleys -- "the only set outside New York" -- Life was distributing another six hundred sets to opinionmakers across the United States and Europe, each one top secret and unique. When the issue containing Hemingway's novella appeared during the first week of September 1952, it was already an international sensation. One of the cleverest promotions ever orchestrated had resulted in immediate sales of 5,318,650 copies of the magazine, the swift rise of the book version to head the best-seller list, and a Nobel Prize.

Hemingway had won back the championship with a stupendous ninth-round knockout.

The success of this daring publishing venture had a surprising aftermath. Life was so pleased with its coup that the editors decided to try their luck a second time, and when they cast about for some writer who might do another compact one-shot, they remembered the man who had stuck his neck out when they needed a launching statement for their Hemingway.

Another emissary, this time from New York with lots of corporate braid, came to see me, in Tokyo I believe, with a dazzling proposal: "We had such an unprecedented success with The Old Man that we'd like to go back to the well again. And we think you're the man to do it."

"There aren't many Hemingways around."

"On your own level you might do it. You understand men in action. You have any stories in the back of your mind?"

I have always tried to answer such questions forthrightly. I love writing. I love the swirl and swing of words as they tangle with human emotions. Of course I had a dozen ideas, most of them worthless when inspected closely, but a couple of them seemed to have real staying power.

"I've been doing some combat flying over Korea..."

"At your age?"

"And a lot of patrol work on the ground. I see certain big outlines."

"Like what?"

"Like it's perilous for a democracy to engage in war without declaring war. Like it's morally wrong to send young men into action while old men stay home and earn a bundle without any war taxes or deprivations. And it is especially wrong to call a few men arbitrarily into action while allowing others just as eligible to stay home free."

"Would your story be beating those drums?"

"I don't beat drums."

"Write it. I think we might have something."

Driven by a fire I had rarely known, and excited by the prospect of following in the shoes of Ernest Hemingway, I put aside all other work. On 6 July 1953 Life offered its second complete-in-one-issue novella, The Bridges at Toko-ri. This was less than a year after the great success of The Old Man and, as before, the editors protected themselves by asking another writer to authenticate the legitimacy of their offering. This time they chose Herman Wouk to say good things, and although I cannot remember what I said about Hemingway, I recall quite clearly what Wouk said about me: "His eyes have seen the glory." That became the sales pitch this time, but a friend of mine writing a r...

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58 of 60 people found the following review helpful.
Bullfighting through the eyes of Hemingway
By Linda Linguvic
Considered literary non-fiction, this is the account of the 1959
season of bullfighting in Spain and the intense competition between
two competing matadors for the glory of that season. It is his last
major work at age 60; he killed himself the following year.
In an
introduction by James Mitchner, it is explained that this piece was
commissioned by Life Magazine. The assignment was for Hemmingway to
revisit the bullfights he had written about in his classic novel
"Death in the Afternoon" published in 1940. Hemingway was
supposed to write 10,000 words for the article. Instead, he submitted
120,000 words. It was edited down to 70,000 words and ran in three
installments.
This book I read, however, was only about 45,000 words
and focuses specifically on the particular contests between two
competing matadors who happened to be brothers in law. Hemingway had
a personal relationship with both of them and brings the reader to the
dinners and the parties as well as to the infirmary after a goring,
the painful healing process in Spanish hospitals that do not
administer painkillers, the long rides on bad roads between bullfights
and the dirt and heat and fatigue and glory.
I have not read much of
Hemingway and knew nothing at all about bullfighting when I started
reading. Yet, by the end of the book a portrait of the author emerges
as well as an understanding of the history, tradition choreographed
performance of skill that occurs in the bull ring. Somehow, I was
able to move beyond my personal feelings about the slaughter of the
bull, and get into the mindset of Hemingway and the people of Spain,
where bullfighting is a national passion.
It has to do with courage.
And it has to do with facing death.
Hemmingway said it all it better
than I ever could:
"This was Antonio's regular appointment with
death that we had to face every day. Any man can face death but to be
committed to bring it as close as possible while performing certain
classic movements and do this again and again and again and then deal
it out yourself with a sword to an animal weighing half a ton which
you love is more complicated than facing death."

17 of 17 people found the following review helpful.
Last Hurrah for Papa
By Diego Izurieta
Fortunately I had read Death in the Afternoon before absorbing this last encore. By the end, I was attached at the soul to both matadors, (Cain and Abel!?). I wish I could read the other 50,000 words edited from this work. Papa described everything that was behind the fragile curtain of honor, bravado, showmanship, and the pageantry of bullfighting. Like many musicians or athletes of our time, we cannot observe from behind the scenes all the work, travel and lack of sleep that these people go through, therefore we cannot fully appreciate the bullfighters of the "Lost Generation". I recommend this book to anyone who wants to experience this true American literary icon and Spanish culture and History. It is interesting to see the way Spain has changed over the years. This book is full of magic and it describes the drive and mild competitiveness that all men and women should have inside in order to suceed in today's harsh world. The introduction of James A. Michener is beautifully written by someone who knew Spain. The terms are helpful to any who is not familiar with basic bullfighting. This is one of Papa's most under-appreciated least-recognized works, but that's ok with me.

19 of 21 people found the following review helpful.
Don't ever go to a bullfight without reading this book first
By A Customer
I should have read this chronicle of bullfighting before my college semester spent in Madrid. I did not read it and instead, I sat in the bleachers of the arena completely disgusted, wishing for the first time in my life that I was at an American football game instead. I was so ignorant that I almost felt tempted to run down and let the pathetic black creature loose, like some rebel animal rights person in a research lab. Back then, I did not understand the history, tradition, glory and sentimentality that belongs to bullfighting. I was ignorant and should not have gone to the bullfight without reading this chronicle by Hemingway first. Now, I some day plan to return and to watch another bullfight. I know now I will see a completely different sport; and not really a sport but a performance. I once thought bullfighting was a battle between man and beast. After reading The Dangerous Summer I know it is a choreographed performance of skill, wisdom, experience and bravery. I urge anyone who plans to go to a bullfight, to read this first. Do not judge this Spanish tradition until you first understand what it is about.

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