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The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.
- Sales Rank: #1123731 in Books
- Published on: 2005-10-27
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x 2.50" w x 9.20" l, 3.49 pounds
- Binding: Paperback
- 1214 pages
Amazon.com Review
Gilbert and Sullivan, librettist and composer, were classically Victorian gentlemen whose comic operas for the Savoy Theater under impresario Richard D'Oyly Carte have endured down to the present day despite the disappearance of the British imperial world which they lampooned. Theirs was a happy combination of Sullivan's cheerily catchy tunes and Gilbert's witty lyrics which captured the comedy of universal human nature. Ian Bradley, annotator of an earlier Gilbert and Sullivan collection, completes and updates the record with the inclusion here of the last collaborations of the two, and new introductions to the operettas that reflect modern interpretations.
From Library Journal
Lovers of Gilbert and Sullivan will be in heaven with the publication of these two books, which nicely complement each other. Stedman (English, Roosevelt Univ., Chicago) offers an outstanding study of this playwright and his often overlooked works, with much of its value deriving from its study of Gilbert without Sullivan. The author is a recognized expert on Gilbert as well as the Victorian time period, and she shows him to be a complex and interesting man who often found himself at odds with his time. Stedman highlights his contribution to Victorian theater as a forerunner of Wilde and Shaw. She also exposes some of the myths about Gilbert (and his relationship with Sullivan) that have been perpetrated by earlier writers. The index and bibliography are excellent. The annotated collection serves a dual purpose: Readers can now sing along with any Gilbert and Sullivan song and know all the words, and they will understand everything the song was meant to convey. This volume combines two previously published paperbacks from Penguin and adds the libretti to The Grand Duke and Utopia Limited. All notes are on the left page, and the actual song texts (complete with stage directions) are on the facing right page. There are also new introductions to each opera, a new introduction to the volume, and corrections to the original text. Print and text layout are very good. Both titles are recommended for public and academic libraries, as well as libraries with theater holdings.?Susan L. Peters, Emory Univ., Atlanta, Ga.
Copyright 1996 Reed Business Information, Inc.
Review
`Review from previous edition Just when you thought you knew everything there was to know about GandS here comes another book with even more information to swell the cards of Trivial Pursuit.
'
Musical Opinion 27/01/1997
`Each left-handed page of these beautifully printed 1197 contains Bradley's assiduous annotations and commentaries
... a treasure-trove, absorbing even for the G and S non-devotee.
'
Christopher Morley, Birmingham Post 27/01/1997
`I found The Complete Annotated Gilbert and Sullivan ...curiously absorbing, and certainly a book I will be dipping
into for a quick bite of wit and satire. The collection has been superbly edited by Ian Bradley with a succinct but
informative introduction to each opera and copiously detailed notes explaining away the wildest fancies of Gilbert's wide-ranging erudition. The approach is scholarly without being heavy-going.
'
Ashutosh Khandekar, Classical Music 27/01/1997
Most helpful customer reviews
29 of 30 people found the following review helpful.
The Complete Annotated Gilbert and Sullivan
By Richard L. Gordon
The book nicely provides the (almost) complete librettos with detailed notes on, among other things, the various versions from preproduction onward to twentieth century changes, the origins, the inspirations, and the meaning of words Bradley thinks are obscure. He is much more likely to explain reasonably familiar words than to assume too much. The introductions nicely trace the history down to the most recent productions. Those who have seen the current movie Topsy-Turvy will find the notes helpful in seeing some of the actual events depicted in the movie. The one omission is Thespis, the first collaboration. The libretto, but not the score, survived. Two areas of omission are exhaustive treatment of either the major performers or recordings. However, this is an excellent source for lovers of G&S.
18 of 18 people found the following review helpful.
A must for any G&S Fan
By A Customer
This is the only book for a true Gilbert and Sullivan fan, especially since it literally is the only complete collection of their works available today for purchase. Luckily, it's a good one: it includes all of their Savoy operettas as well as their lesser-known later works such as Utopia Ltd. The real jewels of the collection, however, remain their best operas: HMS Pinafore, The Mikado, The Pirates of Penzance, The Sorcerer. This book is especially helpful because it contains all of the lyrics to all of the songs, and most CD recordings of the operas do not come with the lyrics (for many of the songs, it is impossible to catch all of the words simply by hearing them). Ian Bradley's notes, printed off to the side, are also interesting and help shed light on obscure words and phrases. Enjoy!
0 of 0 people found the following review helpful.
Thumbs up!
By Jamie Dedes
Totally appreciated by the person for whom it was given as a gift. Detailed. Apparently some info you won't easily find elsewhere.
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